That is why the Armstrong, Oliver, Morton, Bessie creed is to him the ultimate in jazz, and why he still holds a great admiration for Fats, for those are the musicians whom true artistry is infinitely more important than technical virtuosity.
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It was about 2 years later that, attracted by a boogie record, he went out and bought the sheet music of Cow-Cow Boogie, upon which much time and energy was expended.
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