Pierre Bourdieu's essay "The Field of Cultural Production" depicts the publishing industry as a "space of literary or artistic position-takings," also called the "field of struggles," which is defined by the tension and movement inherent among the various positions in the field.
Debray is generally critical of some of the ideas of Marshall McLuhan (whom he sees as being overly technologically determinist), and of the French sociologist Pierre Bourdieu.
with Hans Haacke, Free Exchange, Stanford University Press, 1995.
•
Born Pierre Felix Bourdieu in Denguin (Pyrénées-Atlantiques), in southern France on 1 August 1930, to a postal worker and his wife.
Pierre Boulez | Pierre Trudeau | Pierre-Auguste Renoir | Pierre Corneille | Jean-Pierre Rampal | Pierre Loti | Pierre | Pierre Teilhard de Chardin | Jean-Pierre Thiollet | Pierre Puvis de Chavannes | Pierre Cardin | Pierre Bourdieu | Pierre Amoyal | Pierre Huyghe | Pierre Bonnard | Pierre-Constant Budin | Pierre-Joseph Proudhon | Pierre Beaumarchais | Pierre Restany | Pierre Curie | Pierre Louÿs | Pierre Bayle | Marco Pierre White | Jean-Pierre Ponnelle | Jean-Pierre Jeunet | Saint-Pierre, Martinique | Saint-Pierre | Pierre Monteux | Pierre Gassendi | Pierre Clémenti |
Through Sigmund Freud, Walter Benjamin, Carl Schmitt, Richard Sennett, René Girard, Giorgio Agamben, Deleuze/Guattari, Michel Foucault, Michel Serres, Pierre Bourdieu and Martin Heidegger, Han approaches his own concept of violence, that finds to work in free individuality.
In the background of these phenomena, which can rightly be named "pathologies", Denis Duclos (who worked with the British anthropologist Mary Douglas) built a theory of cultural fields, of their conversational structure (counterpoint to the tendency to domination observed by Pierre Bourdieu).
A second lineage of engaged theory has been developed by researchers who began their association through the Global Cities Institute, scholars such as Manfred Steger, Paul James and Damian Grenfell, drawing upon a range of writers from Pierre Bourdieu to Benedict Anderson and Charles Taylor.
Taking inspiration from these perspectives, but also moving beyond them, Olick draws on Mikhail Bakhtin, Norbert Elias, and Pierre Bourdieu to formulate a "process-relational" approach to culture.
Fairclough's theories have been influenced by Mikhail Bakhtin and Michael Halliday on the linguistic field, and ideology theorists such as Antonio Gramsci, Louis Althusser, Michel Foucault and Pierre Bourdieu on the sociological one.
The concept of performance has been developed by such scholars as Richard Schechner, Victor Turner, Clifford Geertz, Erving Goffman, John Austin, John Searle, Pierre Bourdieu, Stern and Henderson, and Judith Butler.
Such sociological analysis of architecture can be found in the classic authors of sociology in Marcel Mauss, Walter Benjamin, Norbert Elias, Michel Foucault, Ernst Bloch, Siegfried Kracauer, Pierre Bourdieu, Maurice Halbwachs, Karel Teige and others.
The Practice of Everyday Life re-examines related fragments and theories from Kant and Wittgenstein to Bourdieu, Foucault and Détienne, in the light of a proposed theoretical model.