In many ways, Cross Damon resembles Meursault, the hero of Albert Camus novel The Stranger.
He would interlace his poetry with sections taken from a wide range of works, including the writings of authors including Lenny Bruce, Admiral Richard Evelyn Byrd, Albert Camus and Franz Kafka to create what The New York Times described as a "multilayered, sculptural bricolage through which Mr. Finkel expanded the reader's sense of what was possible in the genre."
The HK500 was the car being driven on January 2, 1960 by French publisher Michel Gallimard when he lost control and crashed outside of Villeblevin, killing both himself and his Nobel laureate passenger Albert Camus.
is perhaps best known as the second wife of Albert Camus, whom she met in 1937 in Algiers.
He went to France in 1954 to conduct graduate-study research on painter Eugène Delacroix and writer Charles Baudelaire, but soon found his interest drawn to the current intellectual arena of literature and politics, which led to an intense interest in French political writers including Albert Camus and Jean-Paul Sartre.
In this letter he compares himself with the character of Dr. Rieux in Albert Camus' novel The Plague and describes his hopeless struggle against a plague of death that slowly envelops the inhabitants of his city.
Composer Robert Smith has said that the song "was a short poetic attempt at condensing my impression of the key moments in L'Étranger (The Stranger) by Albert Camus".
Home side Racing Universitaire d'Alger (R.U.A. for whom Nobel Prize winning author-philosopher Albert Camus had played in goals for its junior team) had already won both the North African Champions Cup and the North African Cup in the 30s (R.U.A. would win each twice by the decade's end).
His celebrity clientele ranged from statesmen like Winston Churchill and Andre Malraux, to writers including Albert Camus and Georges Simenon, to the industrialists and financiers Henry Ford and David Rockefeller.
He worked on a book-length project entitled Prisoners of Conscience: Public Intellectuals in a Time of Crisis, which examines the courageous stance of four public figures—Anna Akhmatova, Albert Camus, Langston Hughes, and George Orwell—during the tumultuous period of 1914-45.
The quote "a man's work is nothing but this slow trek to rediscover, through the detours of art, those two or three great and simple images in whose presence his heart first opened" (credited to the French-Algerian writer Albert Camus) appears on the back of the sleeve of the album.
In Atheism and the Rejection of God: Contemporary Philosophy and "The Brothers Karamazov" (1977) and Faith and Ambiguity (1984), he explored continental thinkers including Dostoevsky, Kierkegaard, Camus and Weil.
"No Future Part Two: The Days After No Future" ends with a reading from The Stranger by Albert Camus, as translated by Stuart Gilbert.
Albert Einstein | Royal Albert Hall | Victoria and Albert Museum | Albert Camus | Prince Albert | Albert Park | Albert Speer | Albert Schweitzer | Albert, Prince Consort | Albert Campion | Albert | Albert Park, Victoria | Albert II, Prince of Monaco | Albert Bierstadt | Albert Finney | Johann Albert Fabricius | Albert R. Broccoli | Albert Lee | Eddie Albert | Albert Einstein College of Medicine | Albert Bandura | Albert Watson (photographer) | Albert Watson | Albert King | Albert II of Belgium | Albert Brooks | Albert I of Belgium | Albert Gleizes | Mount Albert | Camus |
Amir translated over 300 books into Hebrew, including English and French classics by Melville, Charles Dickens, Camus, Lewis Carroll, Joseph Conrad and Virginia Woolf, Edgar Allan Poe, Ernest Hemingway, John Steinbeck, Emily Brontë and O. Henry.
During his literary career he became close friend of other writers and artists such as Lawrence Durrell, Albert Camus, Jean Genet and Giacometti.
Early on in the story, the protagonist, an author, (some say that the protagonist is a reflection of Yann himself) makes reference to Primo Levi's If This Is a Man; Art Spiegelman's Maus; David Grossman's See Under: Love; Martin Amis's Time's Arrow; George Orwell's Animal Farm; Albert Camus's The Plague; and Pablo Picasso's Guernica.
In his essay "A Tale of Two Cafes" and his book Paris to the Moon, American writer Adam Gopnik mused over the possible explanations of why the Flore had become, by the late 1990s, much more fashionable and popular than its rival, Les Deux Magots, despite the fact that the latter cafe was associated with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, and other famous thinkers of the 1940s and 1950s.
Of his own autobiography that he wrote at age 28, Monsiváis once said "acepté esta suerte de autobiografía con el mezquino fin de hacerme ver como una mezcla de Albert Camus y Ringo" ("I accepted this sort of autobiography with the petty purpose of making myself look like a mix of Albert Camus and Ringo").
In 2006 Glanert's opera Caligula, on a libretto by Hans-Ulrich Treichel after the play by Albert Camus on the last days of the Roman emperor Caligula, was first staged at the Oper Frankfurt, conducted by Markus Stenz.
In its sentiment and its conclusions, it has been compared to existentialist works, notably Albert Camus's The Myth of Sisyphus.
I remember you’d go to the corner café, and there were artists like Max Ernst, Giacometti, Calder, and then the writers, poets, playwrights, dramatists like Camus, Michaux, Ionesco, Dürrenmatt....
When he was 19 years old, he made his stage debut at a theater in Nice; and the following year his strong performance in the Albert Camus play, Caligula, brought an invitation to work with the Théâtre national populaire (T.N.P.) in Paris and Avignon, whose festival, founded in 1947 by Jean Vilar, is France's oldest and most famous.
Inspired by the Surrealist poet Lautréamont, she exhibited at La Hune in Paris, attracting the attention of André Breton, Man Ray, René Char and Albert Camus.
Some other works that he translated are: Pre-Philosophy by Henry Frankfurt and Others; Sight and Insights by Alexander Elliot; The Author and His Profession by 10 American critics; The Life in Drama by Eric Bentley; The Myth and the Symbol by several critics; Axel's Castle by Edmund Wilson; Articles by 14 American critics about poet Dylan Thomas; Albert Camus by Germen Perry; and The Tower of Babel by André Barot.
Jean Carzou (1907, Aleppo, Syria – August 12, 2000, Marsac-sur-l'Isle, Dordogne, France), born Karnik Zouloumian, was a French Armenian artist, painter and illustrator, whose work illustrated the novels of Ernest Hemingway and Albert Camus.
Theoretic foundations of the Left School combined elements of classic Marxism, Leninism, Trotskyism, and French atheist existentialism (primarily, Jean-Paul Sartre, Albert Camus and Antoine de Saint-Exupéry).
Additionally, he became involved with the Young Libertarians of the Fédération Anarchiste and befriended André Breton and Albert Camus.
After the merger the two groups ideologically enriched each other through bringing together the ideas of Trotskyism and the New Left (mainly Herbert Marcuse, Che Guevara and Régis Debray) by PNC and the ideas of French atheist existentialism (essentially, Jean-Paul Sartre, Albert Camus and Antoine de Saint-Exupéry) by the "Left School".
He was then cast by Academy Award-winning director Luis Puenzo in his 1992 adaptation of Albert Camus' The Plague, by Alejandro Agresti in his 1997 tragedy, La cruz (The Cross), and as the concerned grandfather of a struggling young artist in Fernando Díaz's Plaza de almas (1997).
The existentialists include among their numbers important French authors who used fiction to convey their philosophical views; these include Jean-Paul Sartre's novel Nausea and play No Exit, and Albert Camus's The Stranger.
The magazine published its first issue in November 1947, founded by Alioune Diop a Senegalese-born professor of Philosophy, along with a cast of African, European, and American intellectuals, writers, and social scientists, including Aimé Césaire, Léopold Sédar Senghor, Alioune Sarr, Richard Wright, Albert Camus, André Gide, Jean-Paul Sartre, Théodore Monod, Georges Balandier and Michel Leiris.
As a specialist in the French language and literature, he translated works by such French authors as Albert Camus, Saint-John Perse, and René Char directly from their originals.
In 2007, Cernea's association announced that the new curriculum of Romania had quietly removed the requirement of teaching Charles Darwin's Theory of Evolution from biology textbooks, as well as the debate on the existence of God (the study of Voltaire, Camus and Nietzsche), from philosophy textbooks.
The most prominent series is called "The Red Book", which features authors like Oscar Wilde, Kurt Vonnegut, Albert Camus, Franz Kafka, Italo Calvino, Günter Grass, Ian McEwan, Lyudmila Ulitskaya, John Irving, Mikhail Bulgakov and many others, there are currently over 80 books in the series.
Albert Camus was so taken with the work he wrote it seemed to him "impossible to imagine the rebirth of Europe without taking into consideration the suggestions outlined in it by Simone Weil." General De Gaulle on the other hand was less impressed, dismissing her recommendations and only half reading most of her reports.
Her first novel L'Asphyxie (In the Prison of Her Skin) was published by Albert Camus for Éditions Gallimard and earned her praise from Jean-Paul Sartre, Jean Cocteau and Jean Genet.