Misa Kuranaga initially trained at the Jinushi Kaoru Ballet School in her native Japan and then received additional training at the School of American Ballet in New York City.
Marceau has been on the faculty at The Juilliard School since 1993 and has taught at the School of American Ballet as well as for numerous New York City social groups, including the Union Club and cotillion societies.
American | American Civil War | American Broadcasting Company | American football | African American | American Idol | American Revolutionary War | high school | American Revolution | Harvard Business School | London School of Economics | Harvard Medical School | American Association for the Advancement of Science | American Red Cross | secondary school | Harvard Law School | American Library Association | American Museum of Natural History | American Express | Eastman School of Music | American Academy of Arts and Sciences | American League | American Association | American Heart Association | American comic book | American Institute of Architects | American Airlines | American Hockey League | Spanish-American War | Pan American Games |
Stix-Brunell trained at the School of American Ballet from 2000 to 2005, when she was admitted to L'Ecole de Danse de l'Opera de Paris where she danced in the Demonstrations de l'Ecole de Danse, Serge Lifar's Entre deux Rondes and Rudolf Nureyev's La Bayadère with the Paris Opera Ballet.
She studied dancing under Nelsy Dambré in Mexico from 1946 to 1954, and visited School of American Ballet in New York from 1956 to 1964, where she was taught by Pierre Vladimirov, Felia Doubrovska, Anatole Oboukhoff, Muriel Stuart and George Balanchine.
While a student at the Juilliard School, he took Classical Spanish Dance, studied Indian dance with Indrani Rahman, took a summer intensive at the School of American Ballet, performed as the Faun in the Nijinsky/Debussy ballet, starred in a dance film at the Sundance Institute, where he worked with Diane Coburn-Bruning, Michael Kidd and Stanley Donen, and toured internationally with the Limón Dance Company.
Nonetheless, he pursued chemical engineering at the City College of New York, which he attended from 1936 to mid-1937 before being granted a scholarship to the School of American Ballet.
There have been students from PCS admitted to the School of American Ballet, The Peddie School, Phillips Andover Academy, Phillips Exeter Academy, and several other private high schools.
After studying at the School of American Ballet, Sobotka became a member of George Balanchine's Ballet Society (1946–1948) and its successor the New York City Ballet from 1949 to 1961.
Shortly after his immigration, Balanchine founded the School of American Ballet, which led to the formation of the New York City Ballet.
The Ford Foundation established its first ballet training program in 1958; beginning in 1959, the Foundation offered grants covering tuition and expenses for advanced ballet students selected to attend either New York City Ballet’s School of American Ballet or San Francisco Ballet School.
Suki Schorer, ballet teacher at the School of American Ballet and former dancer with New York City Ballet