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The theme music for the show was the 2nd movement from Beethoven's "Pathétique" Sonata (Sonata No 8 in C minor), performed by Haas himself; and Haas started every show with his trademark greeting "Hello everyone."
The typical dotted note themes in pathétique pieces such as Beethoven's "Pathétique" Sonata, Liszt's Concerto pathétique, or Scriabin's "Patetico" Étude Op. 8, No. 12 also point towards a certain heroic quality.
Other performances have included collaborations with Opera Colorado, Colorado Ballet, Opera Omaha, Toledo Opera, the Grand Teton Music Festival and the Aspen Music Festival, where they sang the children's chorus in a 1994 performance of Mahler's Symphony No. 8, in addition to appearances with many famous classical and popular musicians.
On March 16, 2013, he performed Ludwig van Beethoven's Seventh and Eight symphonies with Symphony Orchestra of Tatarstan in Kazan, Russia and the same month received an invitation from the Weill Festival in Dessau.
These include his solo recordings of Charles Ives' Concord Sonata and sonatas of Joseph Haydn, vocal music with Jan DeGaetani and landmarks of the 20th century by composers such as Elliott Carter, George Crumb, Ralph Shapey and Arnold Schoenberg.
"Camellia" is an uplifting upbeat song, named after the flower, and partially based on Mozart's Rondo Alla Turca and Eine kleine Nachtmusik.
Dublinese highlights of Tinney's solo career include two major recital series in the at the Irish Museum of Modern Art (1991, 1995) and six recitals on Beethoven's piano sonatas at the Royal Dublin Society (2000–02).
Notable recordings include many of Britten's works and Mahler's Eighth Symphony under Sir Georg Solti on Decca, and Vaughan Williams' vocal works under Sir David Willcocks and the Choir of King's College, Cambridge for EMI.
The 12" B-side also contains a performance of Ludwig van Beethoven's "Moonlight Sonata #14.
In January 2001, in a recital at the City Recital Hall in Sydney, he played Beethoven's Hammerklavier Sonata.
It soon attracted distinguished conductors: Gustav Mahler first directed the group in 1897 and premiered his Symphony No. 4 and Symphony No. 8 with the orchestra, while Bruno Walter directed the orchestra for the posthumous premiere of Mahler's Das Lied von der Erde.
German composer Hans Werner Henze has used Bottom twice as an inspiration: in the second sonata which comprises his Royal Winter Music and in his Eighth Symphony.
# "Piano Sonata No. 8 in C Minor" (Beethoven) - 6:30
He appeared at the Hollywood Bowl with conductors such as Sir John Barbirolli and Leopold Stokowski, and he played the sound track (Beethoven's Appassionata Sonata) for the Bette Davis 1946 film Deception.
"The Goat" heavily incorporates the 3rd movement of Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, known famously as the "Funeral March".
Also featured in the film are Frédéric Chopin's "Romance-Larghetto" from his first piano concerto, performed by Arthur Rubinstein, Wolfgang Amadeus Mozart's "Rondo Alla Turca" from his Piano Sonata No. 11 in A Major, performed by Wilhelm Kempff, Wojciech Kilar's "Father Kolbe's Preaching" performed by the Orchestra Philharmonique National de Pologne and "20th Century Boy" performed by rockabilly band The Big Six.
Gieseking suddenly fell ill in London, however, while recording Beethoven's "Pastoral" Sonata in D Piano Sonata No. 15 for HMV.
-->These were released on the RCA Red Seal label in 2008 as Kapell Rediscovered. They contain several previously unknown performances of "God Save the Queen", Debussy's Suite bergamasque, Chopin's Barcarole, Op. 60, and Scherzo No. 1 in B minor, Op. 20, and Prokofiev's Sonata No. 7, Op. 83.